LIFE.

 

By BEN HECHT
From The Little Review

The sun was shining in the dirty street.
Old women with shapeless bodies waddled along on their way to market.
Bearded old men who looked like the fathers of Jerusalem walked flatfooted, nodding back and forth.
“The tread of the processional surviving in Halsted Street,” thought Moisse, the young dramatist who was moving with the crowd.
Children sprawled in the refuse-laden alleys. One of them ragged and clotted with dirt stood half-dressed on the curbing and urinated into the street.
Wagons rumbled, filled with fruits and iron and rags and vegetables.
Human voices babbled above the noises of the traffic. Moisse watched the lively scene.
“Every day it’s the same,” he thought; “the same smells, the same noise and people swarming over the pavements. I am the only one in the street whose soul is awake. There’s a pretty girl looking at me. She suspects the condition of my soul. Her fingers are dirty. Why doesn’t she buy different shoes? She thinks I am lost. In five years she will be fat. In ten years she will waddle with a shawl over her head.”
The young dramatist smiled.
“Good God,” he thought, “where do they come from? Where are they going? No place to no place. But always moving, shuffling, waddling, crying out. The sun shines on them. The rain pours on them. It burns. It freezes. To-day they are bright with color. To-morrow they are gray with gloom. But they are always the same, always in motion.”
The young dramatist stopped on the corner and looking around him spied a figure sitting on the sidewalk, leaning against the wall of a building.
The figure was an old man.
He had a long white beard.
He had his legs tucked under him and an upturned tattered hat rested in his lap.
His thin face was raised and the sun beat down on it, but his eyes were closed.
“Asleep,” mused Moisse.
He moved closer to him.
The man’s head was covered with long silky white hair that hung down to his neck and hid his ears. It was uncombed. His face in the sun looked like the face of an ascetic, thin, finely veined.
He had a long nose and almost colorless lips and the skin on his cheeks was white. It was drawn tight over his bones, leaving few wrinkles.
An expression of peace rested over him—peace and detachment. Of the noise and babble he heard nothing. His eyes were closed to the crowded frantic street.
He sat, his head back, his face bathed in the sun, smileless and dreaming.
“A beggar,” thought Moisse, “asleep, oblivious. Dead. All day he sits in the sun like a saint, immobile. Like one of the old Alexandrian ascetics, like a delicately carved image. He is awake in himself but dead to others. The waves cannot touch him. His thoughts, oh to know his thoughts and his dreams?”
Suddenly the eyes of the young dramatist widened. He was looking at the beggar’s long hair that hung to his neck.
“It’s moving,” he whispered half aloud. He came closer and stood over the old man and gazed intently at the top of his head.
The hair was swaying faintly, each separate fiber moving alone....
It shifted, rose imperceptibly and fell. It quivered and glided....
“Lice,” murmured Moisse.
He watched.
Silent and asleep the old man sat with his thin face to the sun and his hair moved.
Vermin swarmed through it, creeping, crawling, tiny and infinitesimal.
Every strand was palpitating, shuddering under their mysterious energy.
At first Moisse could hardly make them out, but his eyes gradually grew accustomed to the sight. And as he watched he saw the hair swell like waves riding over the water, saw it drop and flutter, coil and uncoil of its own accord.
Vermin raised it up, pulled it out, streaming up and down tirelessly in vast armies.
They crawled furiously like dust specks blown thick through the white beard.
They streamed and shifted and were never still.
They moved in and out, from no place to no place, but always moving, frantic and frenzied.
An old woman passed and with a shake of her head dropped two pennies into the upturned hat. Moisse hardly saw her. He saw only the palpitating swarms that were now facing, easily visible, through the gray white hair.
Some ventured down over the white ascetic face, crawling in every direction, traveling around the lips and over the closed eyes, emerging suddenly in thick streams from behind the covered ears and losing themselves under the ever moving beard.
And Moisse, his senses strained, thought he heard a noise—a faint crunching noise.
He listened.
The noise seemed to grow louder. He began to itch but he remained bending over the head. He could hear them, like a faraway murmur, a purring, uncertain sound.
“They’re shouting and groaning, crying out, weeping and laughing,” he mused. “It is life ... life....”
He looked up and down the crowded burning street with its frantic crowd, and smiled.
“Life,” he repeated....
He walked away. Before him floated the hair of the beggar moving as if stirred by a slow wind, and he itched.
“But who was the old man?” he thought.
A young woman, plump and smiling, jostled him. He felt her soft hip pressing against him for a moment.
A child running barefoot through the street brushed against his legs. He felt its sticky fingers seize him for an instant and then the child was gone. On he walked.
Three young men confronted him for a second time. He passed between two of them, squeezed by their shoulders.
A shapeless old woman bumped him with her back as she shuffled past.
Two children dodged in and out screaming and seized his arm to turn on.
The young dramatist stopped and remained standing still, looking about him.
Then he laughed.
“Life,” he murmured again; and
“I am the old man,” he added, “I ... I....”

THE END OF THE PATH.

 

By NEWBOLD NOYES
From Every Week

Set far back in the hills that have thrown their wall of misty purple about the laughing blue of Lake Como, on a sheer cliff three thousand feet above the lake, stands a little weather-stained church. Beneath it lie the two villages of Cadenabbia and Menaggio; behind and up are rank on rank of shadowy mountains, sharply outlined against the sky,—the foothills leading back to the giant Alps.
The last tiny cream-colored house of the villages stands a full two miles this side of the tortuous path that winds up the face of the chrome-colored cliff. Once a year, in a creeping procession of black and white, the natives make a pilgrimage to the little church to pray for rain in the dry season. Otherwise it is rarely visited.
Blagden climbed slowly up the narrow path that stretched like a clean white ribbon from the little group of pastel-colored houses by the water. There was not a breath of wind, not a rustle in the gray-green olive trees that shimmered silver in the sunlight. Little lizards, sunning themselves on warm flat stones, watched him with brilliant eyes, and darted away to safety as he moved. The shadows of the cypress trees barred the white path like rungs of a ladder. And Blagden, drinking deep of the beauty of it all, climbed upward.
When he opened the low door of the little chapel the cold of the darkness within was as another barrier. He stepped inside, his footsteps echoing heavily through the shadows, though he walked on tiptoe. After the brilliant sunlight outside he could make out but little of the interior at first. At the far end four candles were burning, and he made his way toward them across the worn floor.
In a cheap, tarnished frame of gilt, above the four flickering pencils of light, hung a picture of the Virgin. Blagden stared at it in amazement. It had evidently been painted by a master hand. Blagden was no artist; but the face told him that. It was drawn with wonderful appreciation of the woman’s sweetness. Perhaps the eyes were what was most wonderful,—pitiful, trusting, a little sad perhaps.
The life-sized figure, draped in smoke-colored blue, blended softly with the dusky shadows, and the flickering candlelight lent a witchery to blurred outlines that half deceived him,—at moments the picture seemed alive. She was smiling a little wistful smile.
And the canvas over the heart of the Virgin was cut in a long, clean stroke—and opened in a disfiguring gash. Beneath it, on a little stand, lay a slim-bladed, vicious knife, covered with dust.
Blagden wonderingly stooped to pick it up—and a voice spoke out of the darkness behind him.
“I would not touch it, Signor,” it said, and Blagden wheeled guiltily.
A man was standing in the shadow, almost at his elbow.
He was old, the oldest man Blagden had ever seen, and he wore the long brown gown of a monk. His face was like a withered leaf, lined and yellow, and his hair was silver white.
Only the small, saurian eyes held Blagden with their strange brilliance. The rest of his face was like a death mask.
“Why not?” said Blagden.
The monk stepped forward into the dim light, crossing himself as he passed the picture. He looked hesitatingly at the younger man before him, searching his face with his wonderfully piercing eyes. He seemed to find there what he was searching for, and when he spoke Blagden wondered at the gentleness of his voice.
“There is a story. Would the Signor care to hear?”
Blagden nodded, and the two moved back in the shadows a short distance to the front line of little low chairs. Before them, over the dancing light of the four candles, stood the mutilated picture of Mary, beneath it the dust-covered dagger.
And then the withered monk began speaking, and Blagden listened, looking up at the picture.
“It all happened a great many years ago,” said the old man; “but I am old, so I remember.
“Rosa was the girl’s name. She lived with her father and mother in a little house above Menaggio. And every day in the warm sunlight of the open fields she sang as she watched the goats for the old people, and her voice was like cool water laughing in the shadows of a little brook.
“She was always singing, little Rosa; for she was young, and the sun had never stopped shining for her. People used to call her beautiful.
“And there was Giovanni. Each morning he would pass her home where the yellow roses with the pink hearts grew so sweetly, and always she would blow him a kiss from the little window.
“Then Giovanni would toil with all the strength of his youth, and he too would sing while he toiled; for was it not all for her?
“Often Rosa’s goats would stray toward Giovanni’s vineyard as dusk came, and they would drive them home together, always laughing, always singing, hand in hand, as the sun slipped golden over the top of the hills across the lake. Sometimes they would walk together in the afterglow, and Giovanni would weave a crown of the little flowers that grew about them, and his princess would wear it, laughing happily.
“They were like two children, Signor. There were nights spent together on the lake, when he told her of his dreams, while the gentlest of winds stirred her curls against his brown cheek, and the moon’s wake stretched like a golden pathway from shore to shore.
“They were to be married when the grapes were picked, people used to whisper.
“And then one day a new force came into the girl’s life. The Church, Signor!
“No one understands when or why this comes to a young girl, I think. She was torn with the idea that she should join her church, go into the little nunnery across the lake, and leave the sunshine.
“She did not want to go, and it was a strange yet a beautiful thing. This young, beautiful girl who seemed so much a part of the sunshine and the flowers was to close the door of the Church upon it all!
“You are thinking it was strange, Signor.
“Giovanni was frantic—you can understand.
“He had dreamed so happily of that which was to be, that now to have the cup snatched from his lips was torture. He took her little sun-kissed hands in his and begged on his knees with tears streaming down his cheeks. And Rosa wept also—but could not answer as he begged. I think she loved the boy, Signor. Yet there is something stronger than the love of a boy and a girl.
“She asked for one more night in which to decide. She would come up here to this little church and pray for Mary to guide her. He kissed her cold lips and came away.
“He was a boy, and he never doubted but that she would choose his strong young arms.
“The girl came here. All night she knelt on the rough stone floor, praying and—weeping; for she loved him. And the Virgin above the four candles looked down with the great, wistful eyes you see—and bound the girl’s soul faster and faster to her own.
“And when morning came she entered the white walls across the lake without seeing her lover again.
“Giovanni went mad, I think, when they told him. He screamed out his hate for the world and his God, and rushed up the little white path to where we are sitting now, Signor.
“Once here, he drew the dagger you see beneath the Virgin and stabbed with an oath on his lips. That is why I did not let you touch it.”
Blagden nodded, and the old monk was silent for a moment before he went on.
“Giovanni disappeared for two days. When he came back his face was that of a madman still. He was met by a white funeral winding up the little path. You understand, Signor,—a virgin’s funeral. Giovanni was hurrying blindly past when they stopped him.
“There was no reproach spoken for what he had done, no bitterness; only a kind of awe—and pity.
“Rosa had died on her knees in the nunnery at the exact time he stabbed yonder picture. And they told him months afterward that her face was strangely like that of the Virgin when they found her,—beautiful and pleading and sad. There was no given cause for her death—there are things we cannot understand. She was praying for strength, the sisters said.”
The monk ceased speaking, and for a long moment they sat silent, Blagden and the withered, white-haired man, staring mutely up at the beautiful face above them. It was Blagden who broke the silence.
“What do you think happened?” he asked slowly.
“I do not know,” said the monk.
There was another pause, then Blagden spoke again.
“Anyway,” he said, brushing his hand across his eyes, “she paid in part the debt Giovanni owed his God.”
“Yes?” said the monk softly. “I wonder, Signor! For I am Giovanni.”

IN BERLIN

 

By MARY BOYLE O’REILLY
From The Boston Daily Advertiser

The train crawling out of Berlin was filled with women and children, hardly an able-bodied man. In one compartment a gray-haired Landsturm soldier sat beside an elderly woman who seemed weak and ill. Above the click-clack of the car wheels passengers could hear her counting: “One, two, three,” evidently absorbed in her own thoughts. Sometimes she repeated the words at short intervals. Two girls tittered, thoughtlessly exchanging vapid remarks about such extraordinary behavior. An elderly man scowled reproval. Silence fell.
“One, two, three,” repeated the obviously unconscious woman. Again the girls giggled stupidly. The gray Landsturm leaned forward.
“Fräulein,” he said gravely, “you will perhaps cease laughing when I tell you that this poor lady is my wife. We have just lost our three sons in battle. Before leaving for the front myself I must take their mother to an insane asylum.”
It became terribly quiet in the carriage.

HOW THE WIDOW WON THE DEACON

 

By William James Lampton

 

Of course the Widow Stimson never tried to win Deacon Hawkins, nor any other man, for that matter. A widow doesn't have to try to win a man; she wins without trying. Still, the Widow Stimson sometimes wondered why the deacon was so blind as not to see how her fine farm adjoining his equally fine place on the outskirts of the town might not be brought under one management with mutual benefit to both parties at interest. Which one that management might become was a matter of future detail. The widow knew how to run a farm successfully, and a large farm is not much more difficult to run than one of half the size. She had also had one husband, and knew something more than running a farm successfully. Of all of which the deacon was perfectly well aware, and still he had not been moved by the merging spirit of the age to propose consolidation.

This interesting situation was up for discussion at the Wednesday afternoon meeting of the Sisters' Sewing Society.

"For my part," Sister Susan Spicer, wife of the Methodist minister, remarked as she took another tuck in a fourteen-year-old girl's skirt for a ten-year-old—"for my part, I can't see why Deacon Hawkins and Kate Stimson don't see the error of their ways and depart from them."

"I rather guess she has," smiled Sister Poteet, the grocer's better half, who had taken an afternoon off from the store in order to be present.

"Or is willing to," added Sister Maria Cartridge, a spinster still possessing faith, hope, and charity, notwithstanding she had been on the waiting list a long time.

"Really, now," exclaimed little Sister Green, the doctor's wife, "do you think it is the deacon who needs urging?"

"It looks that way to me," Sister Poteet did not hesitate to affirm.

"Well, I heard Sister Clark say that she had heard him call her
'Kitty' one night when they were eating ice-cream at the Mite
Society," Sister Candish, the druggist's wife, added to the fund of
reliable information on hand.

"'Kitty,' indeed!" protested Sister Spicer. "The idea of anybody calling Kate Stimson 'Kitty'! The deacon will talk that way to 'most any woman, but if she let him say it to her more than once, she must be getting mighty anxious, I think."

"Oh," Sister Candish hastened to explain, "Sister Clark didn't say she had heard him say it twice.'"

"Well, I don't think she heard him say it once," Sister Spicer asserted with confidence.

"I don't know about that," Sister Poteet argued. "From all I can see and hear I think Kate Stimson wouldn't object to 'most anything the deacon would say to her, knowing as she does that he ain't going to say anything he shouldn't say."

"And isn't saying what he should," added Sister Green, with a sly snicker, which went around the room softly.

"But as I was saying—" Sister Spicer began, when Sister Poteet, whose rocker, near the window, commanded a view of the front gate, interrupted with a warning, "'Sh-'sh."

"Why shouldn't I say what I wanted to when—" Sister Spicer began.

"There she comes now," explained Sister Poteet, "and as I live the deacon drove her here in his sleigh, and he's waiting while she comes in. I wonder what next," and Sister Poteet, in conjunction with the entire society, gasped and held their eager breaths, awaiting the entrance of the subject of conversation.

Sister Spicer went to the front door to let her in, and she was greeted with the greatest cordiality by everybody.

"We were just talking about you and wondering why you were so late coming," cried Sister Poteet. "Now take off your things and make up for lost time. There's a pair of pants over there to be cut down to fit that poor little Snithers boy."

The excitement and curiosity of the society were almost more than could be borne, but never a sister let on that she knew the deacon was at the gate waiting. Indeed, as far as the widow could discover, there was not the slightest indication that anybody had ever heard there was such a person as the deacon in existence.

"Oh," she chirruped, in the liveliest of humors, "you will have to excuse me for today. Deacon Hawkins overtook me on the way here, and here said I had simply got to go sleigh-riding with him. He's waiting out at the gate now."

"Is that so?" exclaimed the society unanimously, and rushed to the window to see if it were really true.

"Well, did you ever?" commented Sister Poteet, generally.

"Hardly ever," laughed the widow, good-naturedly, "and I don't want to lose the chance. You know Deacon Hawkins isn't asking somebody every day to go sleighing with him. I told him I'd go if he would bring me around here to let you know what had become of me, and so he did. Now, good-by, and I'll be sure to be present at the next meeting. I have to hurry because he'll get fidgety."

The widow ran away like a lively schoolgirl. All the sisters watched her get into the sleigh with the deacon, and resumed the previous discussion with greatly increased interest.

But little recked the widow and less recked the deacon. He had bought a new horse and he wanted the widow's opinion of it, for the Widow Stimson was a competent judge of fine horseflesh. If Deacon Hawkins had one insatiable ambition it was to own a horse which could fling its heels in the face of the best that Squire Hopkins drove. In his early manhood the deacon was no deacon by a great deal. But as the years gathered in behind him he put off most of the frivolities of youth and held now only to the one of driving a fast horse. No other man in the county drove anything faster except Squire Hopkins, and him the deacon had not been able to throw the dust over. The deacon would get good ones, but somehow never could he find one that the squire didn't get a better. The squire had also in the early days beaten the deacon in the race for a certain pretty girl he dreamed about. But the girl and the squire had lived happily ever after and the deacon, being a philosopher, might have forgotten the squire's superiority had it been manifested in this one regard only. But in horses, too—that graveled the deacon.

"How much did you give for him?" was the widow's first query, after they had reached a stretch of road that was good going and the deacon had let him out for a length or two.

"Well, what do you suppose? You're a judge."

"More than I would give, I'll bet a cookie."

"Not if you was as anxious as I am to show Hopkins that he can't drive by everything on the pike."

"I thought you loved a good horse because he was a good horse," said the widow, rather disapprovingly.

"I do, but I could love him a good deal harder if he would stay in front of Hopkins's best."

"Does he know you've got this one?"

"Yes, and he's been blowing round town that he is waiting to pick me up on the road some day and make my five hundred dollars look like a pewter quarter."

"So you gave five hundred dollars for him, did you?" laughed the widow.

"Is it too much?"

"Um-er," hesitated the widow, glancing along the graceful lines of the powerful trotter, "I suppose not if you can beat the squire."

"Right you are," crowed the deacon, "and I'll show him a thing or two in getting over the ground," he added with swelling pride.

"Well, I hope he won't be out looking for you today, with me in your sleigh," said the widow, almost apprehensively, "because, you know, deacon, I have always wanted you to beat Squire Hopkins."

The deacon looked at her sharply. There was a softness in her tones that appealed to him, even if she had not expressed such agreeable sentiments. Just what the deacon might have said or done after the impulse had been set going must remain unknown, for at the crucial moment a sound of militant bells, bells of defiance, jangled up behind them, disturbing their personal absorption, and they looked around simultaneously. Behind the bells was the squire in his sleigh drawn by his fastest stepper, and he was alone, as the deacon was not. The widow weighed one hundred and sixty pounds, net—which is weighting a horse in a race rather more than the law allows.

But the deacon never thought of that. Forgetting everything except his cherished ambition, he braced himself for the contest, took a twist hold on the lines, sent a sharp, quick call to his horse, and let him out for all that was in him. The squire followed suit and the deacon. The road was wide and the snow was worn down smooth. The track couldn't have been in better condition. The Hopkins colors were not five rods behind the Hawkins colors as they got away. For half a mile it was nip and tuck, the deacon encouraging his horse and the widow encouraging the deacon, and then the squire began creeping up. The deacon's horse was a good one, but he was not accustomed to hauling freight in a race. A half-mile of it was as much as he could stand, and he weakened under the strain.

Not handicapped, the squire's horse forged ahead, and as his nose pushed up to the dashboard of the deacon's sleigh, that good man groaned in agonized disappointment and bitterness of spirit. The widow was mad all over that Squire Hopkins should take such a mean advantage of his rival. Why didn't he wait till another time when the deacon was alone, as he was? If she had her way she never would, speak to Squire Hopkins again, nor to his wife, either. But her resentment was not helping the deacon's horse to win.

Slowly the squire pulled closer to the front; the deacon's horse, realizing what it meant to his master and to him, spurted bravely, but, struggle as gamely as he might, the odds were too many for him, and he dropped to the rear. The squire shouted in triumph as he drew past the deacon, and the dejected Hawkins shrivelled into a heap on the seat, with only his hands sufficiently alive to hold the lines. He had been beaten again, humiliated before a woman, and that, too, with the best horse that he could hope to put against the ever-conquering squire. Here sank his fondest hopes, here ended his ambition. From this on he would drive a mule or an automobile. The fruit of his desire had turned to ashes in his mouth.

But no. What of the widow? She realized, if the deacon did not, that she, not the squire's horse, had beaten the deacon's, and she was ready to make what atonement she could. As the squire passed ahead of the deacon she was stirred by a noble resolve. A deep bed of drifted snow lay close by the side of the road not far in front. It was soft and safe and she smiled as she looked at it as though waiting for her. Without a hint of her purpose, or a sign to disturb the deacon in his final throes, she rose as the sleigh ran near its edge, and with a spring which had many a time sent her lightly from the ground to the bare back of a horse in the meadow, she cleared the robes and lit plump in the drift. The deacon's horse knew before the deacon did that something had happened in his favor, and was quick to respond. With his first jump of relief the deacon suddenly revived, his hopes came fast again, his blood retingled, he gathered himself, and, cracking his lines, he shot forward, and three minutes later he had passed the squire as though he were hitched to the fence. For a quarter of a mile the squire made heroic efforts to recover his vanished prestige, but effort was useless, and finally concluding that he was practically left standing, he veered off from the main road down a farm lane to find some spot in which to hide the humiliation of his defeat. The deacon, still going at a clipping gait, had one eye over his shoulder as wary drivers always have on such occasions, and when he saw the squire was off the track he slowed down and jogged along with the apparent intention of continuing indefinitely. Presently an idea struck him, and he looked around for the widow. She was not where he had seen her last. Where was she? In the enthusiasm of victory he had forgotten her. He was so dejected at the moment she had leaped that he did not realize what she had done, and two minutes later he was so elated that, shame on him! he did not care. With her, all was lost; without her, all was won, and the deacon's greatest ambition was to win. But now, with victory perched on his horse-collar, success his at last, he thought of the widow, and he did care. He cared so much that he almost threw his horse off his feet by the abrupt turn he gave him, and back down the pike he flew as if a legion of squires were after him.

He did not know what injury she might have sustained; She might have been seriously hurt, if not actually killed. And why? Simply to make it possible for him to win. The deacon shivered as he thought of it, and urged his horse to greater speed. The squire, down the lane, saw him whizzing along and accepted it profanely as an exhibition for his especial benefit. The deacon now had forgotten the squire as he had only so shortly before forgotten the widow. Two hundred yards from the drift into which she had jumped there was a turn in the road, where some trees shut off the sight, and the deacon's anxiety increased momentarily until he reached this point. From here he could see ahead, and down there in the middle of the road stood the widow waving her shawl as a banner of triumph, though she could only guess at results. The deacon came on with a rush, and pulled up alongside of her in a condition of nervousness he didn't think possible to him.

"Hooray! hooray!" shouted the widow, tossing her shawl into the air. "You beat him. I know you did. Didn't you? I saw you pulling ahead at the turn yonder. Where is he and his old plug?"

"Oh, bother take him and his horse and the race and everything. Are you hurt?" gasped the deacon, jumping out, but mindful to keep the lines in his hand. "Are you hurt?" he repeated, anxiously, though she looked anything but a hurt woman.

"If I am," she chirped, cheerily, "I'm not hurt half as bad as I would have been if the squire had beat you, deacon. Now don't you worry about me. Let's hurry back to town so the squire won't get another chance, with no place for me to jump."

And the deacon? Well, well, with the lines in the crook of his elbow the deacon held out his arms to the widow and——. The sisters at the next meeting of the Sewing Society were unanimously of the opinion that any woman who would risk her life like that for a husband was mighty anxious.

VENGEANCE IS MINE

 

By VIRGIL JORDAN
From Everybody’s Magazine

A psychologist has said that most dreams indicate some deep fear or some deep wish that lies dormant in the dreamer. One curious thing about this is that the psychologist was a German. Another is that none of my companions in the dugout at Le Prêtre seemed to find in my experience anything entirely new to them. I leave you to judge which it was—fear or desire—that came to light in me in the trenches of Pont-à-Mousson.
Foot by foot we had driven the Germans out of the forest of Le Prêtre; and when the winter came down on us we had brought up behind the ridge overlooking the Moselle, with the enemy on the other side, fifteen miles away from Metz.
They managed to keep the river open, but otherwise let us alone. There was nothing to do for weeks but to sit tight. With cement, moss, burlap, and a few rugs and a boiler and some steam-pipe we stole at Pont-à-Mousson, we made our dugouts pretty comfortable.
Excepting myself and the rest of the aëroplane corps, our work had been each day to do so and so much digging, hauling, figuring, firing into the air, mechanically protecting ourselves from shells that we took as a matter of course, like wind and rain. We did not even know when we had won a point against the unseen enemy. We did not feel their resistance as one feels a push. Some one who had charge of those matters figured it out on paper, and we moved forward or back as their calculations said. Outside our company we knew nothing of the general state of affairs.
Once in a while, especially about Christmas, one of us would get a bundle of books, papers and magazines from a friend. Then we talked—talked; we discussed again and again the reasons for the war, the object of it, what we were going to do to Germany when it was over. Every evening we tried Germany over again, put her culture, commerce, social system on the rack, found her guilty and had her hanged, drawn, and quartered.
Christmas Eve, 1914, I had turned in warm and excited and confused with the whirl of ideas we had been discussing, gathered around our steam-pipe. I had a restless night in the stuffy dugout. About midnight the German firing commenced in the direction of Metz. Toward morning, Christmas Day, they stopped, and I fell into a long, dreamy sleep.

It was Christmas Eve, 1916. Two long, haggard years of the war had dragged by, to a wailing crescendo of misery, famine, disease, and madness. We had been hurled up and down an invisible line of death, bending and pressing it back and forth like a horde of ants at a thread.

Every human thought and fact had by now changed in us. As we formerly recognized our friends, we seemed to know each other now as the citizens of a new state on earth, in which the people did not live by productive labor, nor in houses, nor in families, but like strange bees in an unknown place, sexless, unconscious of our activity, destroying instead of building. It was as if we had been born that way. All memory of another life was sunk deep into the subconscious. We had become highly specialized things, yet knew not in what or for what. Birth and death had lost their meaning.
Tens of thousands of us had disappeared. Thousands took their places nonchalantly. As the opening of the third year approached, there was in the air the wild and brooding sense of the millions of German and Austrian lives and as many of the Allies that had gone out before their time.
Earth seemed to stir into consciousness of it.
The carnival of Chaos had spread like a wanton dementia. Italy had long since flung aside her sane reserve and plunged into the carnage for the shreds of Austria she desired—Tyrol, Dalmatia, Istria, and Albania. Rumania and Greece had joined with Servia and bound the Balkans into a temporary brotherhood. Together with Russia and Italy at Haskoi they had scattered the crazy Turkish army like chaff and swarmed on to the Bosphorus. The allied fleet drove a withering wedge of steel and fire through the Dardanelles. Constantinople fell.
As to a Bacchanal of Blood, the colonies tore out of the map every shred of German colonial territory there was, and poured into Europe their flood of black, white, and yellow men. Little Denmark, catching the festive spirit, reached out for Schleswig-Holstein; and the rest, coveting the Kiel Canal, lent a willing hand to the useful tool. Holland, sore from being the frail buffer between the struggling combatants, placed her interests in the British hands, and opened another gate to the heart of Germany.
Russia debouched her million after million upon the East, and though they died dumbly like flies before the German walls of steel at Thorn and Bromberg, they swept the Germans back over the Vistula and out of East Prussia down to the line of the Warthe and Oder. Austria, torn by internal dissension, was ringed in the upper basin of the Danube, where the Tyrol, the Carpathians, and the Germans protected the few shattered loyal ones.
There was not a German vessel left on the Seven Seas. Her fleet had been put to sleep in the Frisian marshes, outnumbered by the British on the outside, and cut off from supplies by troops landed through Denmark and Holland.
On the West they stood behind the Rhine. The drive had been rapid and relentless from all sides. They left their villages empty except for the dead as they went before the closing ring of steel. They took everything with them that might be used as fuel, as material for ammunition, and left their cities razed more completely than the invader could have done it.
Christmas night found us where Ludwigshafen had been. For two months we had stood, unable to move an inch farther. The thick deluge of fire the Germans rolled upon us at every advance amazed us. There could not long be a bit of iron or copper or saltpeter or food left inside the ring.
We had no knowledge of the source of this indomitable resistance. For months not a living soul had been able to pass across the lines, nor had a single message of any kind or a reply to any, by any means, come out of Germany. For three to five miles about the lines there was a devastated ring, bare of everything, swept by fire and death. Beyond that was grim and gruesome silence. The airmen could see little. Houses were apparently deserted and the people lived in the woods or in the ground. Every particle of earth that could be spared was used to grow something to eat. In the large cities buildings and bridges were torn down. Their cut stone and iron went to the making of fort and cannon.
This Christmas Eve, as we sat in our cement dugout, the silence outside was brooding and heavy. Snow had fallen for a week and there had been no fighting. In the intervals of our talk there was only the sound of a famished cat’s wailing outside. We talked of the war, and of what we were going to do with Germany when the end came.
The talk of the world had been done. The nations at home sat like the knitting ring about the guillotine, waiting for the final scene to be staged. Germany was no more in the world’s mind. They had tried to think about her. Their thought had been brought to folly and confusion. Already she was forgotten. She had become a piece of territory that shortly their armies would occupy. Condemnations of her culture, of her aspirations, of her part in the greatest of the world’s wars, had come to nothing, and were abandoned. Pompous plans for her reorganization, superior homilies to the German people on peace and freedom from their wicked masters, good advice on the improvement of their culture—all these had been written to a shred. To preserve its dignity the world wished to forget them. Its dull, avid gaze saw not beyond the moment toward which it had strained, leaving its mind and simple sincerity of soul behind.
This was the night of the final assault. In a circle of three hundred miles, the word was written, on land and sea, in seven tongues and among a score of races—“AT MIDNIGHT.” We were then to draw tight the halter upon the throat of Germany. Der Tag had become The Hour—Ours. The mailed fist was to have its gauntlet stripped from it and a naked hand should pay us tribute.
Steadily we had battered down the stone and steel chain about her. We stood before the Rhine in dead of winter. At one sweep we were to stretch our arm across it and with the other crush the mighty militant menace that lay at bay between.
The slopes that were old in story, that had sustained the surge of unnumbered hordes from East and West and South and North; in whose grapes were the bloods of Roman, Teuton, Slav, Mongol, and Frank; that had been the source and shelter of a race’s song, science, and story—lay in silent slumber, muffled in midwinter’s snows.
That race stood at bay before its fellow’s vengeance. By this time all those of alien blood had dropped away from its single body like engrafted limbs. Its trunk stood bare and barkless before the blast, we to wring from its bloody, unbowed head, obeisance to our will—a will that had begun in covetousness of commerce, in rancor of humiliating reminiscence, in rage of race rivalry, a will that had grown beyond our grasp, beyond our consciousness. We lusted for the day that should press from Germany’s lips, “Your will be done.”
Unthinking were we that then would come the days of dull and devious diplomacy, of division of domain, of dragging indemnity from a people dumb and disheartened by devastation and death. At all costs to beat the breath from her body! The hour had come when this resistant something should be ours, ours, the Briton’s, the Frenchman’s, the Russian’s, the Italian’s, the Serb’s, the Rumanian’s, the Montenegrin’s, the Dane’s, the Mongol’s!
At midnight we moved, in silence. It seemed as if we heard from the Carpathians to the Rhine, from the sea to the Alps, the anthem of arms, the stir of destruction go up as we moved. We wrangled for the outpost places, that when the closing of the steel ring was flashed across the circle we might be first to see the white flag at our point.
I was fortunate—one of the three sent to see how clear the road from Ludwigshafen to Mannheim, and to cover the river crossing.
I was off and my aëroplane rose quickly. There were no lights beyond the Rhine. Where Mannheim used to be was darkness. The three miles between us and the river lay motionless in the moonlight. The Rhine was tight in ice. The batteries at the angle of the Neckar were invisible. In wonder I came down to three hundred feet and circled, watching our men creep tentatively up to the sharp-cut bank, hesitate, clamber down, and start across the ice recklessly. They were not spiked, never dreaming of getting to the ice at all.
The dark figures slipped and slid and fell. It was so still and the moon so bright I could hear the cracks shoot across the untried sheet and see the men’s faces twisted in apprehension. They were the only moving things. It was clear the Germans had fallen back. They had abandoned Malstatt by night—but Mannheim—and the Rhine! It was unbelievable. I rose and coasted down to above the Mannheim parade-ground. There was nothing to be heard but the distant stir of our line.
I touched. My machine ran along, bumping over hundreds of bodies lightly covered by the new snow. I got out, stumbled over them at my feet, felt them. They were not long dead. I looked about me at the dark, silent city of Mannheim. A panic took me. I ran to my machine, tried to get it off, but failed and sat numb and transfixed, vainly groping in the darkness of my mind for the thought that would not form, till my comrades came to me with blanched faces and bit by bit in swift succession pieced for me the words that could not find utterance, having never been uttered in the world’s life before.
The rest—a flowing phantasmagoria that tore me too far out of human experience, even of dream—to tell again. The thousands crumpled up in full-dress uniform, stained and tattered, beneath the new snow of the parade-ground, fallen at a moment, at a word, hands here and there stiffened in salute to the flag slow moving in the graying winter’s dawn. Death we had seen,—but here in the streets and in the houses, in all corners and in all byways, the vivid faces of those who had sought death freely, each face telling with ghastly eloquence a tale that had never been told in the life of man, of a race self-destroyed at a moment, at a word, for a vision which it alone had understood, leaving its epitaph in the words on the poison vials which a government machine efficient to the last had supplied—“Der Tag ist zu uns”—“The Day is Ours.”
Then through the blenching words that flashed along the closed circle of steel in all the tongues of Europe, the shrinking thought leaped to our dumb, numb mind and throbbed upon them like the insistent resounding clangor of a titanic brazen shield, as if beaten by a grimacing god:
Germany is yours, O sons of men! What now?

I woke at dawn to the boisterous, bold boom of the batteries of Metz. They seemed to speak in glorious wide-mouthed joy of Til Eulenspiegel and the young Siegfried.

I thanked God for the Germans.

A Redeeming Sacrifice.

By Lucy Maud Montgomery

The dance at Byron Lyall's was in full swing. Toff Leclerc, the best fiddler in three counties, was enthroned on the kitchen table and from the glossy brown violin, which his grandfather brought from Grand Pré, was conjuring music which made even stiff old Aunt Phemy want to show her steps. Around the kitchen sat a row of young men and women, and the open sitting-room doorway was crowded with the faces of non-dancing guests who wanted to watch the sets.
An eight-hand reel had just been danced and the girls, giddy from the much swinging of the final figure, had been led back to their seats. Mattie Lyall came out with a dipper of water and sprinkled the floor, from which a fine dust was rising. Toff's violin purred under his hands as he waited for the next set to form. The dancers were slow about it. There was not the rush for the floor that there had been earlier in the evening, for the supper table was now spread in the dining-room and most of the guests were hungry.
"Fill up dere, boys," shouted the fiddler impatiently. "Bring out your gals for de nex' set."
After a moment Paul King led out Joan Shelley from the shadowy corner where they had been sitting. They had already danced several sets together; Joan had not danced with anybody else that evening. As they stood together under the light from the lamp on the shelf above them, many curious and disapproving eyes watched them. Connor Mitchell, who had been standing in the open outer doorway with the moonlight behind him, turned abruptly on his heel and went out.

Paul King leaned his head against the wall and watched the watchers with a smiling, defiant face as they waited for the set to form. He was a handsome fellow, with the easy, winning ways that women love. His hair curled in bronze masses about his head; his dark eyes were long and drowsy and laughing; there was a swarthy bloom on his round cheeks; and his lips were as red and beguiling as a girl's. A bad egg was Paul King, with a bad past and a bad future. He was shiftless and drunken; ugly tales were told of him. Not a man in Lyall's house that night but grudged him the privilege of standing up with Joan Shelley.
Joan was a slight, blossom-like girl in white, looking much like the pale, sweet-scented house rose she wore in her dark hair. Her face was colourless and young, very pure and softly curved. She had wonderfully sweet, dark blue eyes, generally dropped down, with notably long black lashes. There were many showier girls in the groups around her, but none half so lovely. She made all the rosy-cheeked beauties seem coarse and over-blown.
She left in Paul's clasp the hand by which he had led her out on the floor. Now and then he shifted his gaze from the faces before him to hers. When he did, she always looked up and they exchanged glances as if they had been utterly alone. Three other couples gradually took the floor and the reel began. Joan drifted through the figures with the grace of a wind-blown leaf. Paul danced with rollicking abandon, seldom taking his eyes from Joan's face. When the last mad whirl was over, Joan's brother came up and told her in an angry tone to go into the next room and dance no more, since she would dance with only one man. Joan looked at Paul. That look meant that she would do as he, and none other, told her. Paul nodded easily—he did not want any fuss just then—and the girl went obediently into the room. As she turned from him, Paul coolly reached out his hand and took the rose from her hair; then, with a triumphant glance around the room, he went out.
The autumn night was very clear and chill, with a faint, moaning wind blowing up from the northwest over the sea that lay shimmering before the door. Out beyond the cove the boats were nodding and curtsying on the swell, and over the shore fields the great red star of the lighthouse flared out against the silvery sky. Paul, with a whistle, sauntered down the sandy lane, thinking of Joan. How mightily he loved her—he, Paul King, who had made a mock of so many women and had never loved before! Ah, and she loved him. She had never said so in words, but eyes and tones had said it—she, Joan Shelley, the pick and pride of the Harbour girls, whom so many men had wooed, winning their trouble for their pains. He had won her; she was his and his only, for the asking. His heart was seething with pride and triumph and passion as he strode down to the shore and flung himself on the cold sand in the black shadow of Michael Brown's beached boat.
Byron Lyall, a grizzled, elderly man, half farmer, half fisherman, and Maxwell Holmes, the Prospect schoolteacher, came up to the boat presently. Paul lay softly and listened to what they were saying. He was not troubled by any sense of dishonour. Honour was something Paul King could not lose since it was something he had never possessed. They were talking of him and Joan.
"What a shame that a girl like Joan Shelley should throw herself away on a man like that," Holmes said.
Byron Lyall removed the pipe he was smoking and spat reflectively at his shadow.
"Darned shame," he agreed. "That girl's life will be ruined if she marries him, plum' ruined, and marry him she will. He's bewitched her—darned if I can understand it. A dozen better men have wanted her—Connor Mitchell for one. And he's a honest, steady fellow with a good home to offer her. If King had left her alone, she'd have taken Connor. She used to like him well enough. But that's all over. She's infatuated with King, the worthless scamp. She'll marry him and be sorry for it to her last day. He's bad clear through and always will be. Why, look you, Teacher, most men pull up a bit when they're courting a girl, no matter how wild they've been and will be again. Paul hasn't. It hasn't made any difference. He was dead drunk night afore last at the Harbour head, and he hasn't done a stroke of work for a month. And yet Joan Shelley'll take him."
"What are her people thinking of to let her go with him?" asked Holmes.
"She hasn't any but her brother. He's against Paul, of course, but it won't matter. The girl's fancy's caught and she'll go her own gait to ruin. Ruin, I tell ye. If she marries that handsome ne'er-do-well, she'll be a wretched woman all her days and none to pity her."
The two moved away then, and Paul lay motionless, face downward on the sand, his lips pressed against Joan's sweet, crushed rose. He felt no anger over Byron Lyall's unsparing condemnation. He knew it was true, every word of it. He was a worthless scamp and always would be. He knew that perfectly well. It was in his blood. None of his race had ever been respectable and he was worse than them all. He had no intention of trying to reform because he could not and because he did not even want to. He was not fit to touch Joan's hand. Yet he had meant to marry her!
But to spoil her life! Would it do that? Yes, it surely would. And if he were out of the way, taking his baleful charm out of her life, Connor Mitchell might and doubtless would win her yet and give her all he could not.
The man suddenly felt his eyes wet with tears. He had never shed a tear in his daredevil life before, but they came hot and stinging now. Something he had never known or thought of before entered into his passion and purified it. He loved Joan. Did he love her well enough to stand aside and let another take the sweetness and grace that was now his own? Did he love her well enough to save her from the poverty-stricken, shamed life she must lead with him? Did he love her better than himself?
"I ain't fit to think of her," he groaned. "I never did a decent thing in my life, as they say. But how can I give her up—God, how can I?"
He lay still a long time after that, until the moonlight crept around the boat and drove away the shadow. Then he got up and went slowly down to the water's edge with Joan's rose, all wet with his unaccustomed tears, in his hands. Slowly and reverently he plucked off the petals and scattered them on the ripples, where they drifted lightly off like fairy shallops on moonshine. When the last one had fluttered from his fingers, he went back to the house and hunted up Captain Alec Matheson, who was smoking his pipe in a corner of the verandah and watching the young folks dancing through the open door. The two men talked together for some time.
When the dance broke up and the guests straggled homeward, Paul sought Joan. Rob Shelley had his own girl to see home and relinquished the guardianship of his sister with a scowl. Paul strode out of the kitchen and down the steps at the side of Joan, smiling with his usual daredeviltry. He whistled noisily all the way up the lane.
"Great little dance," he said. "My last in Prospect for a spell, I guess."
"Why?" asked Joan wonderingly.
"Oh, I'm going to take a run down to South America in Matheson's schooner. Lord knows when I'll come back. This old place has got too deadly dull to suit me. I'm going to look for something livelier."
Joan's lips turned ashen under the fringes of her white fascinator. She trembled violently and put one of her small brown hands up to her throat. "You—you are not coming back?" she said faintly.
"Not likely. I'm pretty well tired of Prospect and I haven't got anything to hold me here. Things'll be livelier down south."
Joan said nothing more. They walked along the spruce-fringed roads where the moonbeams laughed down through the thick, softly swaying boughs. Paul whistled one rollicking tune after another. The girl bit her lips and clenched her hands. He cared nothing for her—he had been making a mock of her as of others. Hurt pride and wounded love fought each other in her soul. Pride conquered. She would not let him, or anyone, see that she cared. She would not care!
At her gate Paul held out his hand.
"Well, good-bye, Joan. I'm sailing tomorrow so I won't see you again—not for years likely. You will be some sober old married woman when I come back to Prospect, if I ever do."
"Good-bye," said Joan steadily. She gave him her cold hand and looked calmly into his face without quailing. She had loved him with all her heart, but now a fatal scorn of him was already mingling with her love. He was what they said he was, a scamp without principle or honour.
Paul whistled himself out of the Shelley lane and over the hill. Then he flung himself down under the spruces, crushed his face into the spicy frosted ferns, and had his black hour alone.
But when Captain Alec's schooner sailed out of the harbour the next day, Paul King was on board of her, the wildest and most hilarious of a wild and hilarious crew. Prospect people nodded their satisfaction.
"Good riddance," they said. "Paul King is black to the core. He never did a decent thing in his life."

THE WAKE.

By DONN BYRNE
From Harper’s Magazine, 1915 

At times the muffled conversation in the kitchen resembled the resonant humming of bees, and again, when it became animated, it sounded like the distant cackling of geese. Then there would come a pause; and it would begin again with sibilant whispers, and end in a chorus of dry laughter that somehow suggested the crackling of burning logs.
Occasionally a figure would open the bedroom door, pass the old man as he sat huddled in his chair, never throwing a glance at him, and go and kneel by the side of the bed where the body was. They usually prayed for two or three minutes, then rose and walked on tiptoe to the kitchen, where they joined the company. Sometimes they came in twos, less often in threes, but they did precisely the same thing—prayed for precisely the same time, and left the room on tiptoe with the same creak of shoe and rustle of clothes that sounded so intensely loud throughout the room. They might have been following instructions laid down in a ritual.
The old man wished to heaven they would stay away. He had been sitting in his chair for hours, thinking, until his head was in a whirl. He wanted to concentrate his thoughts, but somehow he felt that the mourners were preventing him.
The five candles at the head of the bed distracted him. He was glad when the figure of one of the mourners shut off the glare for a few minutes. He was also distracted by the five chairs standing around the room like sentries on post and the little table by the window with its crucifix and holy-water font. He wanted to keep thinking of “herself,” as he called her, lost in the immensity of the oaken bed. He had been looking at the pinched face with its faint suspicion of blue since early that morning. He was very much awed by the nun’s hood that concealed the back of the head, and the stiffly posed arms and the small hands in their white-cotton gloves moved him to a deep pity.
Somebody touched him on the shoulder. “Michael James.”
It was big Dan Murray, a gaunt red farmer, who had been best man at his wedding.
“Michael James.”
“What is it?”
“I hear young Kennedy’s in the village.”
“What of that?”
“I thought it was best for you to know.”
Murray waited a moment, then he went out, on tiptoe, as everybody did, his movements resembling the stilted gestures of a mechanical toy.
Down the drive Michael heard steps coming. Then a struggle and a shrill giggle. Some young people were coming to the wake, and he knew a boy had tried to kiss a girl in the dark. He felt a dull surge of resentment.
She was nineteen when he married her; he was sixty-three. Because he had over two hundred acres of land and many head of milch and grazing cattle and a huge house that rambled like a barrack, her father had given her to him; and young Kennedy, who had been her father’s steward for years, and had been saving to buy a house for her, was thrown over like a bale of mildewed hay.
Kennedy had made several violent scenes. Michael James remembered the morning of the wedding. Kennedy waylaid the bridal-party coming out of the church. He was drunk. “Mark me,” he had said, very quietly for a drunken man—“mark me. If anything ever happens to that girl at your side, Michael James, I’ll murder you. I’ll murder you in cold blood. Do you understand?”
Michael James could be forgiving that morning. “Run away and sober up, lad,” he had said, “and come up to the house and dance.”
Kennedy had gone around the countryside for weeks, drunk every night, making threats against the old farmer. And then a wily sergeant of the Connaught Rangers had trapped him and taken him off to Aldershot.
Now he was home on furlough, and something had happened to her, and he was coming up to make good his threat.
What had happened to her? Michael James didn’t understand. He had given her everything he could. She had taken it all with a demure thanks, but he had never had anything of her but apathy. She had gone around the house apathetically, growing a little thinner every day, and then a few days ago she had lain down, and last night she had died, apathetically.
And young Kennedy was coming up for an accounting to-night. “Well,” thought Michael James, “let him come!”
Silence suddenly fell over the company in the kitchen. Then a loud scraping as they stood up, and a harsher grating as chairs were pushed back. The door of the bedroom opened and the red flare from the fire and lamps of the kitchen blended into the sickly yellow candle-light of the bedroom.
The parish priest walked in. His closely cropped white hair, strong, ruddy face, and erect back gave him more the appearance of a soldier than a clergyman. He looked at the bed a moment, and then at Michael James.
“Oh, you mustn’t take it like that, man,” he said. “You mustn’t take it like that. You must bear up.” He was the only one who spoke in his natural voice.
He turned to a lumbering farmer’s wife who had followed him in, and asked about the hour of the funeral. She answered in a hoarse whisper, dropping a courtesy.
“You ought to go out and take a walk,” he told Michael James. “You oughtn’t to stay in here all the time.” And he left the room.
Michael James paid no attention. His mind was wandering to strange fantasies he could not keep out of his head. Pictures crept in and out of his brain, joined as by some thin filament. He thought somehow of her soul, and then wondered what a soul was like. And then he thought of a dove, and then of a bat fluttering through the dark, and then of a bird lost at twilight. He thought of it as some lonely flying thing with a long journey before it and no place to rest. He could imagine it uttering the vibrant, plaintive cry of a peewit. And then it struck him with a great sense of pity that the night was cold.
In the kitchen they were having tea. The rattle of the crockery sounded very distinctly. He could distinguish the sharp, staccato ring when a cup was laid in a saucer, and the nervous rattle when cup and saucer were passed from one hand to the other. Spoons struck china with a faint metallic tinkle. He felt as if all the sounds were made at the back of his neck, and the crash seemed to burst in his head.
Dan Murray creaked into the room. “Michael James,” he whispered, “you ought to take something. Have a bite to eat. Take a cup of tea. I’ll bring it in to you.”
“Oh, let me alone, Daniel,” he answered. He felt he would like to kick him and curse him while doing so.
“You must take something.” Murray’s voice rose from a whisper to a low, argumentative sing-song. “You know it’s not natural. You’ve got to eat.”
“No, thank you, Daniel,” he answered. It was as if he were talking to a boy who was good-natured but tiresome. “I don’t feel like eating. Maybe afterward I will.”
“Michael James,” Murray continued.
“Well, what is it, Daniel?”
“Don’t you think I’d better go down and see young Kennedy and tell him how foolish it would be of him to come up here and start fighting? You know it isn’t right. Hadn’t I better go down? He’s at home now.”
“Let that alone, Daniel, I tell you.” The thought of Murray breaking into the matter that was between himself and the young man filled him with a sense of injured delicacy.
“I know he’s going to make trouble.”
“Let me handle that, like a good fellow, and leave me by myself, Daniel, if you don’t mind.”
“Ah well, sure. You know best.” And Murray crept out of the room.
As the door opened Michael could hear some one singing in a subdued voice and many feet tapping like drums in time with the music. They had to pass the night outside, and it was the custom, but the singing irritated him. He could fancy heads nodding and bodies swaying from side to side with the rhythm. He recognized the tune, and it began to run through his head, and he could not put it out of it. The lilt of it captured him, and suddenly he began thinking of the wonderful brain that musicians must have to compose music. And then his thoughts switched to a picture he had seen of a man in a garret with a fiddle beneath his chin.
He straightened himself up a little, for sitting crouched forward as he was put a strain on his back, and he unconsciously sat upright to ease himself. And as he sat up he caught a glimpse of the cotton gloves on the bed, and it burst in on him that the first time he had seen her she was walking along the road with young Kennedy one Sunday afternoon, and they were holding hands. When they saw him they let go suddenly, and grew very red, giggling in a half-hearted way to hide their embarrassment. And he remembered that he had passed them by without saying anything, but with a good-humored, sly smile on his face, and a mellow feeling within him, and a sage reflection to himself that young folks will be young folks, and what harm was there in courting a little on a Sunday afternoon when the week’s work had been done?
And he remembered other days on which he had met her and Kennedy; and then how the conviction had come into his mind that here was a girl for him to marry; and then how, quietly and equably, he had gone about getting her and marrying her, as he would go about buying a team of horses or make arrangements for cutting the hay.
Until the day he married her he felt as a driver feels who has his team under perfect control, and who knows every bend and curve of the road he is taking. But since that day he had been thinking about her and worrying and wondering exactly where he stood, until everything in the day was just the puzzle of her, and he was like a driver with a restive pair of horses who knows his way no farther than the next bend. And then he knew she was the biggest thing in his life.
The situation as it appeared to him he had worked out with difficulty, for he was not a thinking man. What thinking he did dealt with the price of harvest machinery and the best time of the year for buying and selling. He worked it out this way: here was this girl dead, whom he had married, and who should have married another man, who was coming to-night to kill him. To-night sometime the world would stop for him. He felt no longer a personal entity—he was merely part of a situation. It was as if he were a piece in a chess problem—any moment the player might move and solve the play by taking a pawn.
Realities had taken on a dim, unearthly quality. Occasionally a sound from the kitchen would strike him like an unexpected note in a harmony; the whiteness of the bed would flash out like a piece of color in a subdued painting.
There was a shuffling in the kitchen and the sound of feet going toward the door. The latch lifted with a rasp. He could hear the hoarse, deep tones of a few boys, and the high-pitched sing-song intonations of girls. He knew they were going for a few miles’ walk along the roads. He went over and raised the blind on the window. Overhead the moon showed like a spot of bright saffron. A sort of misty haze seemed to cling around the bushes and trees. The out-houses stood out white, like buildings in a mysterious city. Somewhere there was the metallic whir of a grasshopper, and in the distance a loon boomed again and again.
The little company passed down the yard. There was the sound of a smothered titter, then a playful resounding slap, and a gurgling laugh from one of the boys.
As he stood by the window he heard some one open the door and stand on the threshold.
“Are you coming, Alice?” some one asked.
Michael James listened for the answer. He was taking in eagerly all outside things. He wanted something to pass the time of waiting, as a traveler in a railway station reads trivial notices carefully while waiting for a train that may take him to the ends of the earth.
“Alice, are you coming?” was asked again.
There was no answer.
“Well, you needn’t if you don’t want to,” he heard in an irritated tone, and the speaker tramped down toward the road in a dudgeon. He recognized the figure of Flanagan, the football-player, who was always having little spats with the girl he was going to marry. He discovered with a sort of shock that he was slightly amused at this incident.
From the road there came the shrill scream of one of the girls who had gone out, and then a chorus of laughter. And against the background of the figure behind him and of young Kennedy he began wondering at the relationship of man and woman. He had no word for it, for “love” was a term he thought should be confined to story-books, a word to be suspicious of as sounding affected, a word to be scoffed at. But of this relationship he had a vague understanding. He thought of it as a criss-cross of threads binding one person to the other, or as a web which might be light and easily broken, or which might have the strength of steel cables and which might work into knots here and there and become a tangle that could crush those caught in it.
It puzzled him how a thing of indefinable grace, of soft words on June nights, of vague stirrings under moonlight, of embarrassing hand-clasps and fearful glances, might become, as it had become in the case of himself, Kennedy, and what was behind him, a thing of blind, malevolent force, a thing of sinister silence, a shadow that crushed.
And then it struck him with a sense of guilt that his mind was wandering from her, and he turned away from the window. He thought how much more peaceful it would be for a body to lie out in the moonlight than on a somber oak bedstead in a shadowy room with yellow, guttering candle-light and five solemn-looking chairs. And he thought again how strange it was that on a night like this Kennedy should come as an avenger seeking to kill rather than as a lover with high hope in his breast.
Murray slipped into the room again. There was a frown on his face and his tone was aggressive.
“I tell you, Michael James, we’ll have to do something about it.” There was a truculent note in his whisper.
The farmer did not answer.
“Will you let me go down for the police? A few words to the sergeant will keep him quiet.”
Michael James felt a pity for Murray. The idea of pitting a sergeant of police against the tragedy that was coming seemed ludicrous to him. It was like pitting a school-boy against a hurricane.
“Listen to me, Dan,” he replied. “How do you know Kennedy is coming up at all?”
“Flanagan, the football-player, met him and talked to him. He said that Kennedy was clean mad.”
“Do they know about it in the kitchen?”
“Not a word.” There was a pause.
“Well, listen here, now. Go right back there and don’t say a word about it. Wouldn’t it be foolish if you went down to the police and he didn’t come at all? And if he does come I can manage him. And if I can’t I’ll call you. Does that satisfy you?” And he sent Murray out, grumbling.
As the door closed he felt that the last refuge had been abandoned. He was to wrestle with destiny alone. He had no doubt that Kennedy would make good his vow, and he felt a sort of curiosity as to how it would be done. Would it be with hands, or with a gun, or some other weapon? He hoped it would be the gun. The idea of coming to hand-grips with the boy filled him with a strange terror.
The thought that within ten minutes or a half-hour or an hour he would be dead did not come home to him. It was the physical act that frightened him. He felt as if he were terribly alone and a cold wind were blowing about him and penetrating every pore of his body. There was a contraction around his breast-bone and a shiver in his shoulders.
His idea of death was that he would pitch headlong, as from a high tower, into a bottomless dark space.
He went over to the window again and looked out toward the barn. From a chink in one of the shutters there was a thread of yellow candle-light. He knew there were men there playing cards to pass the time.
Then terror came on him. The noise in the kitchen was subdued. Most of the mourners had gone home, and those who were staying the night were drowsy and were dozing over the fire. He felt he wanted to rush among them and to cry to them to protect him, and to cower behind them and to close them around him in a solid circle. He felt that eyes were upon him, looking at his back from the bed, and he was afraid to turn around because he might look into the eyes.
She had always respected him, he remembered, and he did not want to lose her respect now; and the fear that he would lose it set his shoulders back and steadied the grip of his feet on the floor.
And then there flashed before him the thought of people who kill, of lines of soldiery rushing on trenches, of a stealthy, cowering man who slips through a jail door at dawn, and of a figure he had read of in books—a sinister figure with an ax and a red cloak.
As he looked down the yard he saw a figure turn in the gate and come toward the house. It seemed to walk slowly and heavily, as if tired. He knew it was Kennedy. He opened the kitchen door and slipped outside.
The figure coming up the pathway seemed to swim toward him. Then it would blur and disappear and then appear again vaguely. The beating of his heart was like the regular sound of a ticking clock. Space narrowed until he felt he could not breathe. He went forward a few paces. The light from the bedroom window streamed forward in a broad, yellow beam. He stepped into it as into a river.
“She’s dead,” he heard himself saying. “She’s dead.” And then he knew that Kennedy was standing in front of him.
The flap of the boy’s hat threw a heavy shadow over his face, his shoulders were braced, and his right hand, the farmer could see, was thrust deeply into his coat pocket.
“Aye, she’s dead,” Michael James repeated. “You knew that, didn’t you?” It was all he could think of saying. “You’ll come in and see her, won’t you?” He had forgotten what Kennedy had come for. He was dazed. He didn’t know what to say.
Kennedy moved a little. The light from the window struck him full in the face, and Michael James realized with a shock that it was as grim and thin-lipped as he had pictured it. A prayer rose in his throat, and then fear seemed to leave him all at once. He raised his head. The right hand had left the pocket now. And then suddenly he saw that Kennedy was looking into the room, and he knew he could see, through the little panes of glass, the huge bedstead and the body on it. And he felt a desire to throw himself between Kennedy and it, as he might jump between a child and a threatening danger.
He turned away his head, instinctively—why, he could not understand, but he felt that he should not look at Kennedy’s face.
Over in the barn voices rose suddenly. They were disputing over the cards. There was some one complaining feverishly and some one arguing truculently, and another voice striving to make peace. They died away in a dull hum, and Michael James heard the boy sobbing.
“You mustn’t do that,” he said. “You mustn’t do that.” And he patted him on the shoulders. He felt as if something unspeakably tense had relaxed and as if life were swinging back into balance. His voice shook and he continued patting. “You’ll come in now, and I’ll leave you alone there.” He took him under the arm.
He felt the pity he had for the body on the bed envelop Kennedy, too, and a sense of peace came over him. It was as though a son of his had been hurt and had come to him for comfort, and he was going to comfort him. In some vague way he thought of Easter-time.
He stopped at the door for a moment.
“It’s all right, laddie,” he said. “It’s all right,” and he lifted the latch.
As they went in he felt somehow as if high walls had crumbled and the three of them had stepped into the light of day.